A refusal to make anything ordinary.
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A refusal to make anything ordinary. *
Featured Products
Kogeta Portal — Burnt Timber & Brass Wall Art
Materials: Reclaimed timber, brass, fire, raw oil
Dimensions: 1830 × 700 × 30mm
Orientation: Wall-hung · Hanging hardware not included
One of a kind. This is the only one in existence.
Ships worldwide from Byron Bay, Australia.
Nobody knows what it opens. Nobody knows what came through it last.
What remains are three scorched planks, brass that survived something, and a hole in the centre that looks straight through to the wall — but somehow feels like it goes much further than that.
Kogeta. Burnt. That's what the word means, and that's exactly what this is — a technology that didn't make it. Charred reclaimed timber holding its shape through sheer stubbornness, the grain still running, still reaching upward like it remembers being a tree, like it hasn't fully accepted what happened to it. The brass discs punctuate the black like planets orbiting a dead star. Still gold. Still gleaming. Completely indifferent to the catastrophe around them.
This is what lost technologies leave behind. Not instruction manuals. Fragments. Residue. Three pieces that were once one thing, now laid out like evidence at a scene nobody has the jurisdiction to investigate.
The portal is ruined. The portal is beautiful. The portal doesn't care what you think it does.
Hang it and see what the room becomes.
✦ Handmade in Byron Bay, Australia · Reclaimed timber, no two pieces identical · Brass elements applied by hand · Raw oil finish — develops character with age · Wall-hung, hardware included · Ships worldwide, carefully crated · One of a kind — when it's gone, it's gone
Materials: Reclaimed white coastal Mahogany, Shou Sugi Ban, copper details
Dimensions: 2030 × 600 × 250mm
Includes: Authenticity certificate
One of a kind. This is the only one in existence.
Shipping: Free freight worldwide
It was rotting in a timber yard.
Fungus. Dirt. Mushrooms colonising every crack like they'd already written the eulogy and moved on. By the time it came to the workshop, it had been forgotten so long it had started becoming something else entirely.
Two days in a hazmat suit to bring it back. Grinder screaming. Vacuum running. Fungal spores filling the air. Forty-eight hours of noise and mess and neighbours losing their minds and no clear answer to the only question that mattered — what the hell is this thing trying to be.
So I went surfing in the rain.
There's something that happens when rain hits the surface of a wave. Each drop lands in the middle of something already moving and throws its own rings outward. Frequency hitting frequency. Movement on movement. Chaos at the surface. But underneath — always underneath — a pattern. Geometry that the water already knew before the rain arrived.
I came back to the workshop and looked at the slab.
The eye at the centre. The grain radiating outward like a shockwave caught mid-breath. The rings. The cracks. The copper where the wood had split and needed holding. It wasn't a surface to put things on. It was a record. A document of frequency. The last transmission of something that had been standing in a forest long before anyone thought to give it a name.
Cymatics is the study of visible patterns made by sound and frequency moving through matter. Sand on a vibrating plate arranges itself into geometry. Water holds a note and shows you its shape. Energy passing through something leaves a mark.
This table is that mark.
It came out of the rot. Out of the rain. Out of forty-eight hours of noise and one quiet moment in the water where everything made sense.
It is not furniture. It is a frequency frozen at the moment the tree stopped.
One made. One available.
✦ Handmade in Byron Bay, Australia · Reclaimed Mahogany, Shou Sugi Ban, copper · Authenticity certificate included · Free freight East Coast Australia · Contact for international quote · One of a kind
Materials: Reclaimed timber frame, resin, fire and oil.
Form: Lounge chair / sculptural seating
One of a kind. This is the only one in existence.
Ships worldwide from Byron Bay, Australia. Freight quoted individually.
Sabaku. The moon's desert. A place that exists only at the intersection of two things that shouldn't share a name — and yet, once named together, couldn't be anything else.
This lounge is that intersection. The structure of a chair — something meant to hold a body, to offer rest, to be functional in the most fundamental sense — built with the aesthetic vocabulary of landscape. Of terrain. Of a surface that has been shaped by forces much larger than the hands that assembled it.
Reclaimed timber frame, the kind of proportions that make a room rearrange itself to accommodate the presence of the piece. This is not a lounge you put in a corner. This is a lounge that determines where the corners are.
Sculptural seating for the person who understands that where you choose to sit says something about who you are.
One of one. The desert is patient. So is this chair.
✦ Handmade in Byron Bay, Australia · Reclaimed timber, resin, fire and oil.
· One of a kind · Freight quoted individually · Ships worldwide
THE MAKER -
Some people discover making. I never had to — which is why nothing that leaves this Byron Bay workshop has ever been, or will ever be, ordinary.
My name is Jason. Kitsune Moon is a ritual design house rooted in the Japanese philosophy of wabi-sabi — the art of finding beauty in imperfection, impermanence, and the incomplete. Every piece is handmade using reclaimed and repurposed timber, brass, stone, and found materials that carry history. No catalogues. No production runs. No two pieces alike.
Client Reviews
“Jasons attention to detail and commitment to quality truly stood out. We’ve already recommended Him and the Kitsune team to our friends.”
— Daniel B, Collingwood“Communication was top-notch and the final outcome was even better than we imagined. A great experience all around.”
— Wendy G, Byron Bay“Every detail was thoughtfully executed. We're thrilled with the outcome. It was better than imagined.”
— Brad I, Byron BayCommission something
made for you.
Tell me what you're looking for — a dining table, a customised chair for a particular corner, an altar for a particular practice, a piece of art for a wall that's been waiting. Custom commissions welcome. No two conversations the same.
8–12 week lead time
50% deposit to begin
Ships worldwide
Studio visits in Byron Bay
How it works
The custom process
01. We talk
Tell me what you have in mind — the space, the feeling, the purpose. Don't worry if it's vague. I'll come back to you within 48 hours.
02. Proposal
I'll put together a quote covering materials, scope and timeline. We go back and forth until the concept is exactly right.
03. Making
A 50% deposit confirms the commission. I share progress photos throughout. 8–12 weeks, made entirely by hand.
04. Delivery
Each piece is custom-packed and shipped worldwide. Studio pickup available in Byron Bay. Every piece arrives with its own story.