Kogeta Portal — Burnt Timber & Brass Wall Art

Materials: Reclaimed timber, brass, fire, raw oil

Dimensions: 1830 × 700 × 30mm

Orientation: Wall-hung · Hanging hardware not included

One of a kind. This is the only one in existence.

Ships worldwide from Byron Bay, Australia.

Nobody knows what it opens. Nobody knows what came through it last.

What remains are three scorched planks, brass that survived something, and a hole in the centre that looks straight through to the wall — but somehow feels like it goes much further than that.

Kogeta. Burnt. That's what the word means, and that's exactly what this is — a technology that didn't make it. Charred reclaimed timber holding its shape through sheer stubbornness, the grain still running, still reaching upward like it remembers being a tree, like it hasn't fully accepted what happened to it. The brass discs punctuate the black like planets orbiting a dead star. Still gold. Still gleaming. Completely indifferent to the catastrophe around them.

This is what lost technologies leave behind. Not instruction manuals. Fragments. Residue. Three pieces that were once one thing, now laid out like evidence at a scene nobody has the jurisdiction to investigate.

The portal is ruined. The portal is beautiful. The portal doesn't care what you think it does.

Hang it and see what the room becomes.

✦ Handmade in Byron Bay, Australia · Reclaimed timber, no two pieces identical · Brass elements applied by hand · Raw oil finish — develops character with age · Wall-hung, hardware included · Ships worldwide, carefully crated · One of a kind — when it's gone, it's gone

Materials: Reclaimed white coastal Mahogany, Shou Sugi Ban, copper details

Dimensions: 2030 × 600 × 250mm

Includes: Authenticity certificate

One of a kind. This is the only one in existence.

Shipping: Free freight East Coast Australia. Contact for international shipping quote.

Sound has a shape. This table is the proof.

Cymatics is the study of visible sound — the geometric patterns that emerge when matter is subjected to vibration. Salt on a drum skin. Water disturbed at frequency. The idea that every sound, if you could see it, would look like something. This table looks like something.

Reclaimed white coastal Mahogany — timber that has already lived a full life — pulled from wherever old wood goes and given a second one. Then Shou Sugi Ban: the ancient Japanese art of burning wood to preserve it, to harden it, to make it into something the elements no longer recognise as an easy target. The surface carries the geometry of that fire. Copper details run through it like signal, like current, like the trace of a frequency that passed through and left its signature.

Two metres of intention. Low to the ground, as ceremonial objects should be — close to earth, close to whatever is being placed upon it with care. The kind of table that earns silence when you set something down on it.

This piece comes with an authenticity certificate. One of one. As it should be.

✦ Handmade in Byron Bay, Australia · Reclaimed Mahogany, Shou Sugi Ban, copper · Authenticity certificate included · Free freight East Coast Australia · Contact for international quote · One of a kind

Materials: Reclaimed timber frame, resin, fire and oil.

Form: Lounge chair / sculptural seating

One of a kind. This is the only one in existence.

Ships worldwide from Byron Bay, Australia. Freight quoted individually.

Sabaku. The moon's desert. A place that exists only at the intersection of two things that shouldn't share a name — and yet, once named together, couldn't be anything else.

This lounge is that intersection. The structure of a chair — something meant to hold a body, to offer rest, to be functional in the most fundamental sense — built with the aesthetic vocabulary of landscape. Of terrain. Of a surface that has been shaped by forces much larger than the hands that assembled it.

Reclaimed timber frame, the kind of proportions that make a room rearrange itself to accommodate the presence of the piece. This is not a lounge you put in a corner. This is a lounge that determines where the corners are.

Sculptural seating for the person who understands that where you choose to sit says something about who you are.

One of one. The desert is patient. So is this chair.

✦ Handmade in Byron Bay, Australia · Reclaimed timber, resin, fire and oil.

· One of a kind · Freight quoted individually · Ships worldwide

Materials: Reclaimed Blue Gum slab and stump, Shou Sugi Ban, natural oil finish, raw pigment

Dimensions: 1730 × 640 × 320mm

Includes: Authenticity certificate

One of a kind. This is the only one in existence.

Ships worldwide from Byron Bay, Australia. Freight is quoted individually.

Free freight for the East Coast of Australia

This table has already been through hell and back. That's the point.

Blue Gum pulled from wherever old timber goes when it's done being a tree — reclaimed, resurrected, then deliberately set on fire again. Because the first time clearly didn't finish the conversation. Shou Sugi Ban: the ancient Japanese art of controlled destruction. You burn the wood to save it. You char the surface until it becomes something harder, darker, and more honest than it ever was alive.

Then the carving. Pathways. Symbols. The kind of marks that could be a lost language or a celestial map or both simultaneously — and the distinction stops mattering the longer you sit with it.

And then the red. One single detonation of raw pigment cutting through all that deep elemental black like a frequency that refuses to be buried. Inevitable. The kind of colour that either makes complete sense or no sense at all, depending entirely on whether you're the right person for this piece.

This table doesn't sit quietly in a room. It anchors the room. Redefines it. Makes every other decision in the space feel like it needs to justify itself.

One of one. Authenticity certificate included.

✦ Handmade in Byron Bay, Australia · Reclaimed Blue Gum, Shou Sugi Ban, raw pigment · Authenticity certificate included · One of a kind · Freight quoted individually

Obsidian Threshold — Ritual Table

620 × 620 × 390/620mm — Kitsune Moon Studio.

A square of pure shadow walked into the room and refused to leave. That's the only way to explain it.

The base is monolithic. Unapologetic. The kind of mass that makes the floor feel like it should be grateful for the weight. And rising from it — a pyramid. Not decorative. Not gestural in the soft gallery sense of the word. An axis. A quiet cosmological fact sitting in your living room, anchoring whatever dimension this thing has one foot planted in.

Then the top. This is where the fire gets its say.

Cracked. Scaled. Silvered along the live edge like lava that cooled mid-thought and decided to stay exactly like that forever. Because the flame didn't come in here to erase anything — it came to translate. The timber's whole history is still in there, every year ring and tension split and fissure, now rendered in char and silver into something that reads less like wood grain and more like a language. The kind of language you feel before you understand it.

The seam where pyramid meets base. Stitched. Barely visible. The held breath between two ideas that should contradict each other and instead produce something that makes the whole room reorganize itself around the fact of this table's existence.

Threshold. That's the right word. You stand on one side of it and something is different on the other.

Char. Geometry. The specific stillness of an object that knows exactly what it is.

620 × 620 × 390/620mm — Kitsune Moon Studio One of one. As it should be.

Materials: Reclaimed Red Cedar, Shou Sugi Ban, polyurethane finish

Dimensions: 1900 × 620 × 380mm

Includes: Authenticity certificate

One of a kind. This is the only one in existence.

Shipping: Free freight Australia-wide. Contact for international quote.

$6,930

Uzumaki. The spiral. The pattern that shows up everywhere nature is doing something serious — in shells, in storms, in the grain of timber that has been growing in one direction for decades and then, suddenly, decides it doesn't have to.

This table is reclaimed Red Cedar — timber with history, with warmth, with the kind of colour that takes a century to develop and cannot be manufactured. Then Shou Sugi Ban: the Japanese technique of burning wood to transform it. The char seals. The surface becomes something that has survived its own destruction and is better for it.

Almost two metres long. Low to the ground, deliberate in its presence, the kind of coffee table that centres a room rather than sitting in one. The polyurethane finish protects the surface while preserving the texture of the burn — every crack, every movement in the grain, every mark the fire left behind.

A sculptural object that functions as a table. A table that functions as a statement. The spiral, if you look for it, is in the grain.

Free freight Australia-wide. One of one.

✦ Handmade in Byron Bay, Australia · Reclaimed Red Cedar, Shou Sugi Ban · Authenticity certificate included · Free freight Australia · Contact for international quote · One of a kind

Materials: Reclaimed timber, MDF, copper, hand carving

Dimensions: 1210 × 1190 × 35mm

Orientation: Wall-hung

One of a kind. This is the only one in existence.

Ships worldwide from Byron Bay, Australia.

Nobody tells you about the third day.

The first day you're an artist — confident, deliberate, chisel in hand like you know what you're doing. The second day the doubt arrives. But the third day? The third day the symbols start talking back. And that's when you realise you're not making anything anymore. You're just the one holding the tool.

This piece started as MDF. Busted. Rejected. The kind of material that has no business becoming anything. And maybe that's exactly why it had to. Carved until the hands ached and the eyes went soft and the line between what was intended and what arrived became completely, beautifully meaningless.

Days of work. An unrelenting flood of symbols — transmissions from a civilisation that burned itself down before anyone could write the dictionary. A masked figure watching from the upper corner. A radiant eye at the centre. Strange forms in the margins, going about their incomprehensible business, utterly indifferent to being watched. Copper stitching up the busted and broken.

This is a cave painting for a cave that doesn't exist yet.

The symbols don't mean anything. The symbols mean everything. God help you if you can tell the difference.

✦ Handmade in Byron Bay, Australia · Timber, MDF, copper, hand carving · Wall-hung · Ships worldwide · One of a kind

Materials: Flood-reclaimed timber, natural oil finish

Form: Low tea table / altar table

One of a kind. This is the only one in existence.

Ships worldwide from Byron Bay, Australia.

This timber has been underwater. That fact is not incidental — it is the whole point.

Floodborne timber carries something that kiln-dried, perfectly milled wood never will: a record of what happened to it. The movement in the grain, the mineral staining, the way the surface has been softened and then hardened again by water and time — these are not imperfections. They are the biography of a material that survived something most materials don't.

Low to the ground, as tea tables should be. Designed for the act of setting things down with intention — a cup, a candle, an object of significance, a moment of stillness in a day that doesn't often offer one. The surface is finished with natural oil, nothing more. What you see is what the timber became.

Some pieces are made. This one was also found.

✦ Handmade in Byron Bay, Australia · Flood-reclaimed timber, natural oil · Low tea table / altar · Ships worldwide · One of a kind