Materials: Reclaimed Blue Gum slab and stump, Shou Sugi Ban, natural oil finish, raw pigment

Dimensions: 1730 × 640 × 320mm

Includes: Authenticity certificate

One of a kind. This is the only one in existence.

Ships worldwide from Byron Bay, Australia. Freight is quoted individually.

Free freight for the East Coast of Australia

This table has already been through hell and back. That's the point.

Blue Gum pulled from wherever old timber goes when it's done being a tree — reclaimed, resurrected, then deliberately set on fire again. Because the first time clearly didn't finish the conversation. Shou Sugi Ban: the ancient Japanese art of controlled destruction. You burn the wood to save it. You char the surface until it becomes something harder, darker, and more honest than it ever was alive.

Then the carving. Pathways. Symbols. The kind of marks that could be a lost language or a celestial map or both simultaneously — and the distinction stops mattering the longer you sit with it.

And then the red. One single detonation of raw pigment cutting through all that deep elemental black like a frequency that refuses to be buried. Inevitable. The kind of colour that either makes complete sense or no sense at all, depending entirely on whether you're the right person for this piece.

This table doesn't sit quietly in a room. It anchors the room. Redefines it. Makes every other decision in the space feel like it needs to justify itself.

One of one. Authenticity certificate included.

✦ Handmade in Byron Bay, Australia · Reclaimed Blue Gum, Shou Sugi Ban, raw pigment · Authenticity certificate included · One of a kind · Freight quoted individually

Materials: Reclaimed white coastal Mahogany, Shou Sugi Ban, copper details

Dimensions: 2030 × 600 × 250mm

Includes: Authenticity certificate

One of a kind. This is the only one in existence.

Shipping: Free freight worldwide

It was rotting in a timber yard.

Fungus. Dirt. Mushrooms colonising every crack like they'd already written the eulogy and moved on. By the time it came to the workshop, it had been forgotten so long it had started becoming something else entirely.

Two days in a hazmat suit to bring it back. Grinder screaming. Vacuum running. Fungal spores filling the air. Forty-eight hours of noise and mess and neighbours losing their minds and no clear answer to the only question that mattered — what the hell is this thing trying to be.

So I went surfing in the rain.

There's something that happens when rain hits the surface of a wave. Each drop lands in the middle of something already moving and throws its own rings outward. Frequency hitting frequency. Movement on movement. Chaos at the surface. But underneath — always underneath — a pattern. Geometry that the water already knew before the rain arrived.

I came back to the workshop and looked at the slab.

The eye at the centre. The grain radiating outward like a shockwave caught mid-breath. The rings. The cracks. The copper where the wood had split and needed holding. It wasn't a surface to put things on. It was a record. A document of frequency. The last transmission of something that had been standing in a forest long before anyone thought to give it a name.

Cymatics is the study of visible patterns made by sound and frequency moving through matter. Sand on a vibrating plate arranges itself into geometry. Water holds a note and shows you its shape. Energy passing through something leaves a mark.

This table is that mark.

It came out of the rot. Out of the rain. Out of forty-eight hours of noise and one quiet moment in the water where everything made sense.

It is not furniture. It is a frequency frozen at the moment the tree stopped.

One made. One available.

✦ Handmade in Byron Bay, Australia · Reclaimed Mahogany, Shou Sugi Ban, copper · Authenticity certificate included · Free freight East Coast Australia · Contact for international quote · One of a kind