Most people go their whole lives without owning a single object that means something. Something that holds the room still. That makes you feel, every time you walk past it, like you are living inside a life that was chosen rather than assembled. That object exists. And it is somewhere on this page.
Materials: Reclaimed timber frame, resin, fire and oil.
Form: Lounge chair / sculptural seating
One of a kind. This is the only one in existence.
Ships worldwide from Byron Bay, Australia. Freight quoted individually.
Sabaku. The moon's desert. A place that exists only at the intersection of two things that shouldn't share a name — and yet, once named together, couldn't be anything else.
This lounge is that intersection. The structure of a chair — something meant to hold a body, to offer rest, to be functional in the most fundamental sense — built with the aesthetic vocabulary of landscape. Of terrain. Of a surface that has been shaped by forces much larger than the hands that assembled it.
Reclaimed timber frame, the kind of proportions that make a room rearrange itself to accommodate the presence of the piece. This is not a lounge you put in a corner. This is a lounge that determines where the corners are.
Sculptural seating for the person who understands that where you choose to sit says something about who you are.
One of one. The desert is patient. So is this chair.
✦ Handmade in Byron Bay, Australia · Reclaimed timber, resin, fire and oil.
· One of a kind · Freight quoted individually · Ships worldwide
Materials: Reclaimed timber, MDF, copper, hand carving
Dimensions: 1210 × 1190 × 35mm
Orientation: Wall-hung
One of a kind. This is the only one in existence.
Ships worldwide from Byron Bay, Australia.
Nobody tells you about the third day.
The first day you're an artist — confident, deliberate, chisel in hand like you know what you're doing. The second day the doubt arrives. But the third day? The third day the symbols start talking back. And that's when you realise you're not making anything anymore. You're just the one holding the tool.
This piece started as MDF. Busted. Rejected. The kind of material that has no business becoming anything. And maybe that's exactly why it had to. Carved until the hands ached and the eyes went soft and the line between what was intended and what arrived became completely, beautifully meaningless.
Days of work. An unrelenting flood of symbols — transmissions from a civilisation that burned itself down before anyone could write the dictionary. A masked figure watching from the upper corner. A radiant eye at the centre. Strange forms in the margins, going about their incomprehensible business, utterly indifferent to being watched. Copper stitching up the busted and broken.
This is a cave painting for a cave that doesn't exist yet.
The symbols don't mean anything. The symbols mean everything. God help you if you can tell the difference.
✦ Handmade in Byron Bay, Australia · Timber, MDF, copper, hand carving · Wall-hung · Ships worldwide · One of a kind
Materials: Reclaimed Blue Gum slab and stump, Shou Sugi Ban, natural oil finish, raw pigment
Dimensions: 1730 × 640 × 320mm
Includes: Authenticity certificate
One of a kind. This is the only one in existence.
Ships worldwide from Byron Bay, Australia. Freight is quoted individually.
Free freight for the East Coast of Australia
This table has already been through hell and back. That's the point.
Blue Gum pulled from wherever old timber goes when it's done being a tree — reclaimed, resurrected, then deliberately set on fire again. Because the first time clearly didn't finish the conversation. Shou Sugi Ban: the ancient Japanese art of controlled destruction. You burn the wood to save it. You char the surface until it becomes something harder, darker, and more honest than it ever was alive.
Then the carving. Pathways. Symbols. The kind of marks that could be a lost language or a celestial map or both simultaneously — and the distinction stops mattering the longer you sit with it.
And then the red. One single detonation of raw pigment cutting through all that deep elemental black like a frequency that refuses to be buried. Inevitable. The kind of colour that either makes complete sense or no sense at all, depending entirely on whether you're the right person for this piece.
This table doesn't sit quietly in a room. It anchors the room. Redefines it. Makes every other decision in the space feel like it needs to justify itself.
One of one. Authenticity certificate included.
✦ Handmade in Byron Bay, Australia · Reclaimed Blue Gum, Shou Sugi Ban, raw pigment · Authenticity certificate included · One of a kind · Freight quoted individually
Materials: Reclaimed white coastal Mahogany, Shou Sugi Ban, copper details
Dimensions: 2030 × 600 × 250mm
Includes: Authenticity certificate
One of a kind. This is the only one in existence.
Shipping: Free freight East Coast Australia. Contact for international shipping quote.
Sound has a shape. This table is the proof.
Cymatics is the study of visible sound — the geometric patterns that emerge when matter is subjected to vibration. Salt on a drum skin. Water disturbed at frequency. The idea that every sound, if you could see it, would look like something. This table looks like something.
Reclaimed white coastal Mahogany — timber that has already lived a full life — pulled from wherever old wood goes and given a second one. Then Shou Sugi Ban: the ancient Japanese art of burning wood to preserve it, to harden it, to make it into something the elements no longer recognise as an easy target. The surface carries the geometry of that fire. Copper details run through it like signal, like current, like the trace of a frequency that passed through and left its signature.
Two metres of intention. Low to the ground, as ceremonial objects should be — close to earth, close to whatever is being placed upon it with care. The kind of table that earns silence when you set something down on it.
This piece comes with an authenticity certificate. One of one. As it should be.
✦ Handmade in Byron Bay, Australia · Reclaimed Mahogany, Shou Sugi Ban, copper · Authenticity certificate included · Free freight East Coast Australia · Contact for international quote · One of a kind
Kogeta Portal — Burnt Timber & Brass Wall Art
Materials: Reclaimed timber, brass, fire, raw oil
Dimensions: 1830 × 700 × 30mm
Orientation: Wall-hung · Hanging hardware not included
One of a kind. This is the only one in existence.
Ships worldwide from Byron Bay, Australia.
Nobody knows what it opens. Nobody knows what came through it last.
What remains are three scorched planks, brass that survived something, and a hole in the centre that looks straight through to the wall — but somehow feels like it goes much further than that.
Kogeta. Burnt. That's what the word means, and that's exactly what this is — a technology that didn't make it. Charred reclaimed timber holding its shape through sheer stubbornness, the grain still running, still reaching upward like it remembers being a tree, like it hasn't fully accepted what happened to it. The brass discs punctuate the black like planets orbiting a dead star. Still gold. Still gleaming. Completely indifferent to the catastrophe around them.
This is what lost technologies leave behind. Not instruction manuals. Fragments. Residue. Three pieces that were once one thing, now laid out like evidence at a scene nobody has the jurisdiction to investigate.
The portal is ruined. The portal is beautiful. The portal doesn't care what you think it does.
Hang it and see what the room becomes.
✦ Handmade in Byron Bay, Australia · Reclaimed timber, no two pieces identical · Brass elements applied by hand · Raw oil finish — develops character with age · Wall-hung, hardware included · Ships worldwide, carefully crated · One of a kind — when it's gone, it's gone
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